Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio Youth Bitten by a Green Lizard oil painting


Youth Bitten by a Green Lizard
1592-93 Longhi Collection, Florence
Painting ID::  318 		Caravaggio
Youth Bitten by a Green Lizard
1592-93 Longhi Collection, Florence
   
   
     
Caravaggio Rest During the Flight into Egypt oil painting


Rest During the Flight into Egypt
1595-96 Galleria Doria Pamphili
Painting ID::  319 		Caravaggio
Rest During the Flight into Egypt
1595-96 Galleria Doria Pamphili
   
   
     
Caravaggio The Cardsharps oil painting


The Cardsharps
1595 Kimbell Art Museum, Fort Worth
Painting ID::  320 		Caravaggio
The Cardsharps
1595 Kimbell Art Museum, Fort Worth
   
   
     
Caravaggio Medusa oil painting


Medusa
1590 Galleria degli Uffizi, Florence
Painting ID::  321 		Caravaggio
Medusa
1590 Galleria degli Uffizi, Florence
   
   
     
Caravaggio The Sacrifice of Isaac oil painting


The Sacrifice of Isaac
c1596 Barbara Piasecka Johnson Collection, Princeton, NJ
Painting ID::  322 		Caravaggio
The Sacrifice of Isaac
c1596 Barbara Piasecka Johnson Collection, Princeton, NJ
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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